Campelloni is characterized by its beauty and exquisiteness, the surface sensory stimulation and the structural lines of the model are tactful and soft, elegant and comfortable, etc., through the subtle differences, it can show a completely new design concept, from history, geography, and world multiculturalism. The design inspiration from Zhongmeng has become a world luxury brand.
Dr. Franco Cappellini, the founder of Campelloni, was born in 1967. From a very early age, he has a great interest in family furniture manufacturing techniques and Italian furniture styles. Since 1950, his family has been specialized in the manufacture and sale of antique furniture in the field of Italian furniture production by relying on hand-made techniques handed down from generation to generation. His design inspiration often comes from the most historic furniture manufacturing process in Italy. Until now, he is still thinking about using innovative crafts and designs to make products every day; since he was a child, Franco Cappellini has demonstrated artistic perception and creativity that is extremely incompatible with his age. Excellent artistic design and painting can enable him to make him He was admitted to two art academies and finally laid a solid foundation for his career success; after graduation, he immediately joined the company and immediately positioned his development strategy in the international market.
Brand Style
Rococo style furniture gradually replaced the Baroque style in the 1830s. Since this emerging style grew up in the era of the French King "Louis XV", it can also be called "Louis XV Style". Rococo (Rococo) is a composite of French "Rock" (Rocaille) and "Clamshell" (Coquille), which means that this style is mostly decorated with rocks and clam shells.
The greatest achievement of Rococo furniture is that on the basis of Baroque furniture, it further combines beautiful artistic modeling with functional comfort effects to form a perfect work of craftsmanship. It is particularly worth mentioning that the form of furniture is completely consistent with the interior furnishings and interior wall decoration, forming a complete new concept of interior design. Usually framed with graceful curves, with brocade, and decorated with precious wood patches and gilded surface, making the furniture of this period not only form an extremely luxurious overall visually, but also achieve a combination of practical and decorative effects. To an unprecedented level of perfection.
Campello's furniture products are mainly 18th century Italian, English and French style chairs and furniture. It inherits the traditional style of "Rococo art" and uses shell shapes in many places, which leads to a delicate, Gorgeous and unique style. We can find these traces on every piece of furniture: gorgeous and delicate, pursuing the sensory stimulation on the surface; the structural lines of the shape have the characteristics of gentle and soft, elegant and comfortable. As the founder of the concept of "furniture fashion", Campelloni not only inherits the classical style in design, "fashion elements" are the finishing touches of Campelloni furniture. As we all know, the fashion shows and conferences of world-famous brands held every year in the fashion capital of Italy are dizzying. They also have well-known designers such as Armani and Versace. In such a country where art and fashion are so strong, how can Campelloni be mediocre. The design style of the "fashion" element is distinctive, the unique beauty is full of strong temptation, and it is based on the expression and transmission of a peculiar and highly personal new concept.
design concept
Design is a kind of fashion. It combines fashion to become a part of people's daily life. It can show a completely new concept through subtle differences. This is the design concept of Italian famous furniture Campelloni, which was established in 1946. From the moment it was born, it has become the promoter of contemporary furniture design in the world. From the Museum of Modern Art in New York to the Pompidou Cultural Center in France, from the Boston Museum to the Museum of Modern Art in Tokyo, almost all art museums around the world have collections of Campe Leoni’s design shows the world Campelloni’s understanding of contemporary, avant-garde, and experimental. Campelloni derives design inspiration from history, geography, and the world’s multiculturalism, and finally gathers innovative thinking. Creativity is the basis for dialogue between different elements and short expressions. The famous "S" chair has become Campelloni's leading design symbol in the world. Excellent design is Campelloni's consistent pursuit and an excellent designer worldwide. Constantly updating Campelloni's products, giving this brand strength and distinctive personality, it interprets the artistic conception of contemporary art and the new design concepts displayed through the latest products.
In 2003, when Franco Cappellini realized that the market was changing and the huge demand contained therein, the company decided to develop other new series of products, named "CorNELIO CAPPELLINI CHIC Extreme Luxury Series". This new series more uses fur, crystal and precious metal materials, giving the product a very strong psychedelic color. In the past two years, he has devoted himself to shaping the brand image of his company in the emerging market of Asia. Especially in Russia and its neighboring countries, this new series has achieved great success since its launch in Asia in early 2005. Franco Cappellini's goal is to become a leader of artistic pursuits, not a follower. From this point on, Campelloni’s design office is located at the company’s headquarters and is directly managed by Franco Cappellini himself. He hopes to use his own unique furniture design style to maintain Campelloni's position as a "leader" in the entire furniture design field. [1]
Classic appreciation
The "The Fronzoni'64" series has always been associated with simple and timeless design, bringing new colors that are indispensable in modern art. In 1964, A.G. Fronzoni designed a series of chairs, tables and beds. Now there is finally a "color version" (previously only available in black and white), matte painted sun yellow, Chinese blue and cherry red.
The Fronzoni‘64
The "Luxor" series was designed by Franco Cappellini, and won the annual design award held by Wallpaper-the best cabinet award in the home interior product category in 2008, and now there are new items. The elegant cabinets are mounted on a low base, with drawers and stackable coplanar sliding rail doors, and can be equipped with various colors of matte or bright paint. Of course, it also includes new colors for 2009: Chinese Blue and Brown Maroon.
Luxor
When these two masters of the last century met together, they once again created fascinating modern art creations, possessing both abstract and concrete elements at the same time. Franco cappellini revisited Shiro Kuramata's fascinating work, inspired by the Dutch abstract painter Piet Mondrian to create a series of cabinets. There are two versions. The main structure of the cabinet is wood lacquered and the base is equipped with wheels, with drawers and storage space inside.
Today, Nendo is synonymous with poetic and elegant design. The new "ANTLER" low armchair brought this year has extremely soft cushions and a strong frame back. The seat cushion is available in wool felt cloth or leather, and the back and feet of the chair are solid olive ash wood. "ANTLER" brings incomparably alluring tactile senses the most unique.
ANTLER
Designed in 1978 for the Palazzo dei Diamanti (Ferrara, Italy) in Ferrara, Italy, "Proust" immediately became a symbol of 20th century design, and it is also the most well-known and worthy of substantial reference, exploration and perfection. A piece of aesthetics. In 1993, Cappellini inherited this work and the current "Proust Geometrica". Mr. Mendini replaced it with a new cotton fabric chair cover and hand-painted it in accordance with ancient methods. They retain the shape of the original armchair, but give them a new color of life, creating the symbol and value of the original design.
